L-rumors.com: (L5) Major Panasonic S1-S1R announcement will happen around January 30

https://www.l-rumors.com/l5-major-panasonic-s1-s1r-announcement-will-happen-around-january-30/

We are now 99% certain that Panasonic will have a major S1-S1R related announcement on the days around January 30. This means we will likely get the full specs information and preorder pricing.

Stay tuned for more info to come!…

panasonic_lumix_s_series_01_1024px_80pc
Panasonic Lumix S1R 35mm mirrorless digital camera.

Panasonic S1 and S1R

Scenes from photokina 2018 and CES 2019, photographs courtesy of Panasonic.

Commentary

I bought into Panasonic’s excellent DSLR-style and rangefinder-style Micro Four Thirds sensor camera and lens system for documentary stills photography and video when Fujifilm dropped the ball with its first try at an interchangeable lens APS-C mirrorless rangefinder-style camera, the X-Pro1.

The problems making that camera sadly unusable for me were remedied with the later X-Pro2 and also the DSLR-style X-T1 and X-T2, with the recently-released X-T3 delivering almost everything one might desire in a DSLR-style stills/video hybrid camera with the exception of raw video recording via external monitors/recorders such as the Atomos Ninja V, in-body image stabilization, and a fully-articulated LCD monitor for maximum viewing usability whether shooting movies or photographs.

I was so impressed  by my experience of a loaner Panasonic Lumix DMC-GH4 that I ordered one immediately for documentary work and added a Lumix DMC-GX8 as a second video camera that almost immediately became my number one photography camera.

Both cameras constituted my documentary stills kit with the addition of the Olympus M.Zuiko Digital ED 12-40mm f/2.8 Pro standard zoom lens with manual clutch focus, the lens that changed my mind about zoom lenses.

I soon added a second Olympus zoom, then a Panasonic prime followed by a Panasonic zoom lens.

I am holding off on more Micro Four Thirds lenses while waiting to see how developments with Olympus’ coming E-M1X pro-quality photography and video camera, Olympus M.Zuiko Pro prime and zoom lenses, Panasonic’s Lumix S Series and the amazing Panasonic Leica DG Vario-Summilux 10-25mm f/1.7 wide-to-normal zoom lens work out this year.

Rumors have it that Olympus’ M.Zuiko Pro lenses are designed in collaboration with Sigma, and whether true or not, Sigma’s membership of the L-Mount group alongside old allies Leica and Panasonic is exciting.

As a longtime though sadly no longer Leica camera and lens user, I would love to be able to afford their current cameras and lenses but Sigma’s Art line prime and zoom lenses’ specifications, image quality results, prices and most of all range of focal lengths impresses as does the company’s cine lens collection.

As I discovered with Fujifilm’s XF APS-C lenses and Panasonic’s M43 Lumix G and Leica DG lens lines, the seldom-spoken downside to new sensor and camera ranges is that it takes years and buckets of manufacturer cash for them to eventually acquire full collections of lenses to suit all their users’ needs.

It is estimated that Canon, for example, took 40 years to achieve that goal with lenses for its 35mm sensor DSLR camera line.

Will Sigma’s presence in the L-Mount consortium and its promised large L-Mount lens collection be persuasive enough to turn 35mm sensor camera users’ heads away from their Canons and Nikons?

The recently announced High Resolution stills and HLG video modes of the Lumix S-Series cameras are impressive but there is more to know about its other features and those of Panasonic’s other cameras in the series.

As a documentary and portrait photographer, I tend to prefer the more portrait and magazine-friendly 4:3 or 3:4 aspect ratios of Micro Four Thirds cameras over the often too-narrow 3:2 or 3:2 of 35mm sensors, and find that fully-articulated LCD monitors are far more useful than any fixed, two-way or three-way tilt screen solutions.

On the other hand, sensor megapixel counts of around 50 or more help produce portraits that possess an uncanny sense of being there especially when printed beautifully and large.

I am looking forward to Panasonic’s January 30 announcements and product shots.

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