“The editor of a film or television show shapes the very core and fabric of the program in so many ways. Nowhere is this more prevalent than in documentary filmmaking.
But did you know that as a documentary filmmaker, even if you’re editing a documentary driven 100% by interviews and archival footage (i.e. there is no narration to script), you can lay a valid claim to the credit Writer?…
…To find out exactly how an editor can also be writer, I interviewed Doug Pray and Lasse Järvi, the two main editors who were also credited as writers on HBO’s hit documentary series “The Defiant Ones.”…”