When the Fujifilm X-Pro2 camera was first announced there was a great deal of excitement about the fact that its brand new 24MP X-Trans III non-Bayer sensor would be capable of 4K video. Although the X-Pro2 was released with 1080p Full HD video capability only, I was informed early last year by a Fujifilm staffer that the camera’s 4K video capability was forthcoming, to be released sometime after the 4K-capable X-T2. That never occurred.
I was deeply disappointed. I want the X-Pro 2 to be fully 4K video-capable and I suspect more than a few purchasers of Fujifilm’s X-Pro2 camera were too, although they may not be so vocal about it or have simply given up on the idea and have placed their faith in the X-T2 as a viable Super 35 4K video camera.
Although there is nothing wrong with shooting video at FHD 1080p, given most television channels still broadcast FHD-delivered programs at 720p, the differences between shooting and editing in 4K then downscaling for distribution and broadcast, and shooting and editing FHD, are observable. The quality is much better.
Shooting, editing, outputting and archiving at 4K for 4K distribution when the means finally arrives makes good business sense. Why fail to future-proof your work by working only in FHD when 4K and the infrastructure you need to handle it is here now and continues to improve?
The half line skipping when shooting 4K allows the X-T20 to shoot 4K without overheating. Take asks Billy if this could be implemented to the X-Pro2 via Firmware update. Billy answers: “I hope so, it’s something I’m pushing all the time. I don’t understand why the X-Pro2 has no 4K like X-T20, since there is a solution for that. I’m fighting for that in Japan.“
The video by bigheadtaco aka Take Kayo where Billy Luong makes this statement is below.
The Fujifilm X-T20 is a DSLR-style EVF-only spin-off, as it were, of the X-T2 and it “is capable of recording both Full HD and 4K video using the X Series’ famous Film Simulation effects“, apparently through half line skipping.
Further, “… the FUJIFILM X-T20 also supports 4K video for amazing movie quality with minimal moiré and artifacts. The camera accepts both an HDMI monitor and an external microphone for full-scale video productions.”
When I wrote my first article about the Fujifilm X-Pro2, I tested the X-Pro2’s video functionality and was impressed by its ability to shoot movies in Fujifilm’s justly celebrated film simulations. The downside then, besides the lack of 4K support, was the X-Pro2’s lack of other features necessary for high quality video.
I cover those still missing features in my article, How to Make the X-Pro2 a Credible Filmmaking Camera, A Request to Fujifilm by Karin Gottschalk, which is a spin-off of director.cinematographer Paul Leeming’s own letter to Fujifilm about how to make the X-T2 a real force in Super 35 moviemaking, How to Make the X-T2 a Credible Filmmaking Camera, A Letter to Fujifilm from Paul Leeming.
Videographer Steve MacDonald is also a fan of the potential of the Fujifilm X-Pro2 rot be a great video camera and has written a soon-to-be-published ebook on the subject, The Fujifilm X-Pro2 Video Set-Up Guide, based on its current 1080p FHD-only incarnation.
I won’t reiterate my own arguments for cameramakers refusing to do a Canon, as it were, by not crippling their own cameras’ capabilities in firmware. I also will not restate how useful it is to be always carrying a camera equally capable of top-notch video as well as stills for those moments when amazing or important things suddenly happen in front of you.
I will state here though that Mr Billy Luong has my full support in taking his fight for 4K video in the Fujifilm X-Pro2 to the powers-that-be at Fujifilm in Tokyo. No more crippling core camera functionality, please!
What is Line Skipping?:
- DVInfo.net – Line skipping
- nino film – HD video with DSLRs – The good, the bad and the ugly.Part 1: the bad & the ugly
- RED User – Line skipping / Pixel binning food for thought